On the surface, the film appears to be a very well made sports film, depicting outstanding athletic accomplishments by many individuals and teams from throughout the world. There are two parts to the film.
The first part begins with a history of the Olympic games, depicting the traditions of the ancient games in the city of Olympia and continuing with portrayal of many of the field events at the Berlin games.
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The second part features the track and field events of the Berlin Games. In a most sophisticated manner, Riefenstahl also incorporated sound within the film, in the form of background music and narration. She worked tirelessly to synchronize music by distinguished film composer Herbert Windt with the moving images in the film Riefenstahl, In those days, to attach any sort of sound to a moving picture was always difficult and often impossible, but Riefenstahl accomplished it Leni Riefenstahl Propagandist Essay a flawless precision that impressed audiences and critics in Germany and abroad.
All of this, in combination with innovative filming techniques, won for the film very high acclaim from some of the most respected persons in the industry Berg-Pan, ; Graham, ; Infield, ; Salkeld, Was Riefenstahl so absorbed in her documentary work that the surrounding Nazi politics escaped her?
Or was she much more politically astute than she claimed to be? Certain facts make it difficult to believe Riefenstahl could have been naive about the way of life around her: From a commonsense perspective, it is difficult to be convinced that the same Riefenstahl possessed of these impressive skills could remain unaware of the larger motive manifested by Hitler and the National Socialist Party in making the film. Still, it Leni Riefenstahl Propagandist Essay be presumptuous to accuse Riefenstahl of familiarity with the agenda and inner workings of the Nazis: No empirical evidence supports the accusation.
However, the question of whether the Nazis put the film to use as propaganda is quite different.
In some cases, the film actually downplays victories of the German nation. Viewers throughout the world were pleased to see favorite athletes featured in a positive light, and positive feeling about the film might extend by association to Germany and thus to the National Socialist Party.
Riefenstahl would later visit Hollywood, during which trip Disney received her openly, congratulating her on what he believed to be a masterful production. Disney witnessed the boycott and was aware of the popular dislike of Germany.
Her own standards trumped the wishes of others. Her defiance lends credence to her later claim that she, at least, saw no propaganda purpose for her documentary.
Leni Riefenstahl's films allowing herself to be used by Hitler as a propagandist. Leni, If you are the original writer of this essay and no longer wish to. Leni Riefenstahl Propagandist Essay. Essay and Resume Service provides professional writing services for students, executive, management and entry level positions in. Leni Riefenstahl’s Triumph of the Will Propaganda I am going to discuss whether Leni Riefenstahl’s Triumph of the Will () was propaganda, or a. Leni Riefenstahl The Propagandist or Artist? A Historiographical Leni Riefenstahl began her Hitler as a propagandist. * Riefenstahl clashed. The German filmmaker Leni Riefenstahl died September 8 at Leni Riefenstahl—propagandist for the Google is blocking the World Socialist Web Site from search.
That makes it more difficult to label her film Nazi propaganda. Some might argue that it simply Leni Riefenstahl Propagandist Essay not fair to criticize Riefenstahl and Germany for succeeding at what our film companies today continue attempting: Correspondence concerning this article should be addressed to Robert C. Phone inquiries may be made at work or at home. Electronic mail may be sent via Internet to: Schneider and William F.
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